I’m writing this in the midst of playing an epic game of “Sophie’s Choice” with my TiVo and FXX over the Every Simpsons Ever marathon. Basically, my percentage has been hovering at 99% for the past 24 hours, and — hold up, is Thelma and Louise on my list of Movies Alaina’s Never Seen? Anyway, basically, I’ve been watching as many episodes as I can, both live and recorded, because all that I ever wanted is a big ol’ kick to the nostalgia feels.
YES I TAPED THE TRAMAMPOLINE – TRAMBOPOLINE EPISODE WOO HOO!
Holy shit, I never put Thelma and Louise on my list. (Must be because the only people who ever teased me about never seeing movies were dudes.)
ANYWAY, the other night Erica and I did our Tweetversation for The Empire Striketh Back, and now I’m trying to write the review while perfecting my Homer Simpson impersonation. What I’m saying is, if a lot of Simpsons references make it into this review, then I apologize for nothing.
So let’s start off with the things I really liked about this version, and then I’ll get into the fight we had.
I’m actually going to start with the afterword, because as I was reading it, I honestly thought I was being Punk’d. Back when we read Verily, a New Hope, I had three critiques: 1) I felt that Mr. Doescher over-used the Chorus; 2) he used the word sans too much to make the lines scan properly; and while 3) wasn’t really a criticism, I did mention the fact that everyone in Verily, a New Hope spoke in iambic pentameter and no one spoke in prose.
God bless Mr. Doescher, but he tackled all three. Apparently I wasn’t the only one who discussed the Chorus, and in this book, he used the Chorus very smartly, and instead made the characters let the audience know what just happened (as an example, he reminded us of how Gertrude informed Hamlet of Ophelia’s drowning).
Erica and I both agreed that his iambic pentameter flowed better in this book – not that it didn’t flow in the first book, but I didn’t see any use of sans in this volume.
And in this book, Boba Fett speaks in prose:
Shakespeare often used prose to separate the lower classes from the elite – kings spoke in iambic pentameter while porters and gravediggers spoke in prose. In writing William Shakespeare’s Star Wars, I did not want to be accused of being lazy about writing iambic pentameter, but with this book it was time to introduce some prose. Who better to speak in base prose than the basest of bounty hunters? [p. 167]
So if Boba Fett speaks in prose, and everyone else speaks in iambic pentameter … how does Yoda speak?
DUDES. YODA SPEAKS IN HAIKU. AND IT IS GLORIOUS.
O, great warrior!
A great warrior you seek!
Wars not make one great.
And my favorite line, in all the world:
Nay, nay! Try thou not.
But do thou or do thou not,
For there is no “try.”
The other thing I absolutely loved wholeheartedly was the following line, after the Wampa runs off with Luke:
Alas, is this th’adventure I am due,
To die upon a vicious monster’s whim?
I am attackèd by this awful beast!
O fate most wretched — shall I be his feast?
[Exit, pursued by a wampa.]
EXIT, PURSUED BY A WAMPA. OH MY GOD. First of all, one of the most famous stage directions in Shakespearean history is “Exeunt, pursued by a bear.” To bring that into Star Wars was brilliant. But then there’s the added bonus that the original line was from The Winter’s Tale. THE WINTER’S TALE, CARL! BECAUSE THIS SCENE TAKES PLACE ON HOTH! OH MY GOD, this line was just perfect on all levels.
My last favorite line also leads me into the fight Erica and I had on twitter. I was very very pleased that there were no extra words added to Han Solo’ classic line, “I know.” This lead to this:
[tweet https://twitter.com/WillBeFunOrElse/status/502617850281230337 align=’center’]
[tweet https://twitter.com/WillBeFunOrElse/status/502618656325779456 align=’center’]
I just scanned through some of Leia’s speeches, and I do not know how that impression came from either the text or the movie. In her conversations with Han, she is trying to declare that she doesn’t have feelings for him because he’s beneath her, or a scruffy nerf herder, or that she’d rather kiss a Wookiee. In her monologues, she admits that she has feelings for him, but she can’t voice her feelings aloud because they’re in the middle of fighting a war and she can’t take the time to focus on her love life because it’s not the appropriate time to do so.
Leia is not a damsel. In fact, the damsel that needed rescuing from the big monster villain on Hoth was Luke from the Wampa. In this book/episode, Leia and the entire rebel army have to escape Hoth after being attacked by the Empire. When they get to Cloud City, they get captured by Darth Vader and Han gets carbon-frozen for Boba Fett, but Leia rescues herself with the help of Lando Calrissian. But it’s not like Lando has to break her out of a prison cell or something.
(And if you want to talk about Episode IV: A New Hope, I would like to remind you that Leia was the character that took over the half-assed rescue mission and actually got them out of Vader’s starship.)[tweet https://twitter.com/NYCBookWorm84/status/502621056696598528 align=’center’]
As I said on twitter, it may look like Leia’s being wishy-washy in her emotions, but that is a trope of Shakespearean romances, not Leia’s character. If you go back to the classic Benedick and Beatrice, they will have moments of fighting and banter, and then as soon as they split up, they have to have those monologues and soliloquies where they explain to the audience that their feelings are conflicted. Remember, Shakespearean actors were playing to the balcony, and facial expressions didn’t carry to the balcony, so words had to do the job.
So when it comes to The Jedi Doth Return, please, I ask you: please re-watch the original trilogy first. I feel that many of the disagreements we’ve had over these books have stemmed from the fact that you have watched them, but a very long time ago, and the things Mr. Doescher is adding to the characters and the plot overall enhance the original, but can confuse someone who may be unfamiliar with the plot. I’m not asking you to change your opinion of Leia and Han, but I think you may find that in the original movie, the romance is used smartly and not “injected where it shouldn’t be.” Even if you feel that the romance isn’t necessary to the plot, at least you’ll see that Leia is not, nor ever will be, a damsel in distress.
Okay. In the writing of this review, I have watched at least six episodes of The Simpsons, and my percentage is down to 97%. I have some errands to run, but I’ll leave everyone with this: I really enjoyed The Empire Striketh Back, and I felt that Mr. Doescher’s interpretation of the text and application of Shakespearean tropes was excellent. I can’t wait to finish this series.
Grade for The Empire Striketh Back: 6 stars