Fiction: “Up Close And Dangerous” by Linda Howard

up close and dangerousHoo boy.  HOO BOY. Hoooooly shit. I –

Note From The Past: Dear Alaina. You are writing this at 11:16 p.m. on Wednesday, February 21, 2018. You are writing this out of order because you have a lot of

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and you don’t want to be scratching your head in seven or eight months when you finally get around to this book in the pecking order, and wonder what the fuck it was about.

IT WAS ABOUT SOME BULLSHIT, I HOPE TO GOD I’LL REMEMBER THAT MUCH

*deep breath* Okay. Here it goes. (Don’t edit this, Future!Alaina – I mean, if there’s some grammatical shit or something, that’s fine, but – I feel like this entry needs to be pure. Pure like Dynasty.)

(Maaaaaan, I hope I still love Dynasty in seven or eight months.)

(Note From The Future: YOU ABSOLUTELY DO STILL LOVE DYNASTY IN SEVEN OR EIGHT MONTHS. Celia Machado DIED and Alexis lived in a HOSPITAL FOR TWO WEEKS and she came back to Dynasty Manor in a red crazy pantsuit AND AN OLD PERSON SCOOTER and she accidentally knocked Celia’s urn off the table AND KILLED HER AGAIN and Alaina? THAT HAPPENED IN THE FIRST TEN MINUTES OF THE SEASON PREMIERE ❤ ❤ ❤ )

So ….. hi. How are ya. Did y’all watch the Town Hall on CNN with the kids from Stoneman Douglas? I did. And it actually put me in a better mood and calmed me down from my RAGEFIRE that this fucking book put me in.

I haven’t been reading much lately, but what I have been reading has been absolute trash. (Just scroll down in the blog; you’ll see.) And the last time I was at the library, I picked up three romance novels from authors that I’ve either read before and thought I enjoyed or have heard of and wanted to try. (That’s going to be a sentence you’ll want to edit in seven or eight months.) (Hey, did I mention I took two melatonin before attempting to write this? This will be fun! or else.)

I may have read something by Linda Howard a while ago, but I can’t recall if I did, which title it was, or when I read it. So while at the library, I was in the mood for some good ol’ romantic suspense – something along the same lines as Sandra Brown’s Charade, or Catherine Coulter-ery-yet-much-better-written. I wanted some sex in my violence, and no, I’m not ashamed to admit that.

The book jacket synopsis of Up Close and Dangerous sounded intriguing, so I took it home.

A mysterious plane crash … a dangerous trek through the Idaho wilderness … a smoldering attraction … and a deadly game of cat and mouse. […]

Bailey Wingate’s scheming adult stepchildren are surprised when their father’s will leaves Bailey in control of their fortune, and war ensues. A year later, while flying from Seattle to Denver in a small plane, Bailey nearly dies herself when the engine sputters – and then falls.

Cam Justice –

Yeah, his name is Cameron Justice. Cam for short. He’s a pilot. I just – sorry. I’ll go on.

Cam Justice, her sexy Texan pilot –

[RECORD SCRATCH]

I mean, really? He has to be from Texas? Do all pilots come from Texas? I have never read a contemporary romance starring a male pilot that does not come from Texas. Just once I’d like to read something where the pilot is from, I dunno, how about Duluth?

So I thought the premise sounded interesting. Someone sabotaged their plane and wanted to kill Bailey! This will be different and in no way terrible!

Reader, I was wrong.

First off – there is entirely too much about survival tactics in this book. And yeah, I get it, plane crashed, they survived, but there are injuries, how do rich people survive in the wilderness after a plane crash? I mean, it’s not like there are literally dozens of these types of stories in media [Lost, The Mountain Between Us, Soap Operas, Air Force One (because why not?), I’m sure there are more, there’s probably been a brand new one in the seven or eight months that have passed since writing this cover of The Rant Song]!

SERIOUSLY. AT ONE POINT THIS HAPPENS –

Faced with the brutal cold of a night at high altitude, they could either live together or die separately. [p. 122]

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Fuckin’ Lost.

So here’s the other thing about this book that I think I need to get off my chest before I continue –

I did not finish reading this.

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I KNOW.

Look, I know what I said four years ago, wherein, thanks to a dear friend –

hahahaha I know the melatonin’s starting to kick in cuz I just realized two things:

  • I was going to say “thanks to a dear friend whose vehicle is still abandoned in a parking garage over a year later[*]”, but then I remembered that I actually named that friend in the review that I’m linking to up there, and maybe I shouldn’t make that link so fucking explicit? but then —
  • I did the thing anyway

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[*Note From The Future: The car was FINALLY towed in April of 2018. By my estimate, it was abandoned in the parking garage for sixteen months.]

ANYWAY. I have tried very very hard to finish reading every book I start. But I couldn’t do it with this one. The writing is scores better than anything Catherine Coulter or Laurell K. Hamilton have ever put out – and yeah, I get it, that’s not saying much, but still – but I couldn’t power through it.

Because Cam Justice is a fucking dick.

There’s this whole shit in the beginning of the book about how Bailey keeps her walls up to keep from getting emotionally messy with people. HI THAT’S A PERSONAL SHOUT OUT TO ME AND I TAKE OFFENSE TO THAT. And Cam gets concussed during the crash landing and Bailey takes care of him and it’s weird to him, because he thought she was a stuck-up bitch.

If he’d ever wondered what it would be like to be marooned with her, which he hadn’t, he’d have been certain she would be either a whiny, useless, royal pain in the ass, or a bitchy, demanding, royal pain in the ass. Either way, she’d have been a PITA. [p. 89]

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But THIRTY PAGES LATER, he decides he’s going to “make her his”. They were lying together – laying together? Y’know, fuck it, I am taking a moment and saying I don’t give a shit which verb it should be there. They were laying side by side in the shelter Bailey managed to cobble together, and they were embracing pretty much to conserve body heat so they didn’t freeze, when Cam gets a bit of an erection.

So this happens:

Bailey, though, had all the signs of being difficult. She hadn’t been embarrassed by his hard-on, but neither had she shown the least bit of interest. Because she’d been married he had to assume she wasn’t a lesbian, so she was either totally, completely uninterested in him, or it was those damn walls she’d built around herself. [p. 126]

I’mma stop you right there for a second. I’m not actually done with that paragraph, but I gotta —

WHY CAN’T IT BE BOTH? WHY CAN’T SHE BE COMPLETELY UNINTERESTED IN HIM, AND HAVE WALLS SHE’S BUILT AROUND HERSELF? WHY ARE THOSE TWO THOUGHTS MUTUALLY EXCLUSIVE, CAM?!

And, what, a woman doesn’t take an interest in small talk, and that makes her …. a lesbian?

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Fuck off, Cam Justice. Like that’s even your real name.

 So the paragraph ends like this:

Either way, he was anticipating a challenge. He almost smiled in predatory satisfaction. [p. 126]

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“Maybe it’s the concussion,” I said. “Maybe I’m inflating what was going on. Maybe this will all make sense and NOT SEEM SO RAPEY in a hundred pages.”

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Nope – kept getting worse.

This is after he realizes the plane was sabotaged – and not in the fun, Beastie Boys way.

She was completely unprepared for the way his expression changed, morphing from the cold, set anger of the past several minutes to something that was almost more alarming. His gaze grew heated, the curve of his mouth that of a predator closing in on his prey. [p. 190-191]

Let me unpack this for you. Cam Justice is able to walk around under his own power – it’s been a couple of days since the crash – and he’s just learned that a) his plane was tampered with to crash and b) Bailey Wingate or whatever her name is was the target, he was just supposed to be collateral damage. But he puts a silver lining on the crash – now that they’re stranded together, he’s found out that Bailey’s not actually a bitch, and also, she’s attractive and not wearing a bra.

From Bailey’s perspective – which is what that quoted-above paragraph is supposed to be showing us – his predatory look is almost more alarming than his “shit someone tried to kill us” look.

AND THIS IS SUPPOSED TO BE HOT, APPARENTLY.

“Alaina,” you must be thinking, “let’s be real. You’ve read some shit. You read The Maze, willingly. You’re sitting there, right now, thinking about actually reading the next book in the Anita Blake, Vampire Hunter series, and that shit is terrible. Are you seriously telling us, your three readers, that this misogyny that is actually typical for this type of novel so offended you that you stopped reading?”

Yes. Yes, I am.

Picture it – Sicily. (Wait, no.) I’m on the elliptical, and I’m reading this while I’m working out. Cam Justice has just figured out that they can use the dead battery (or whatever) to start a fire, and they’re all excited that they figured out thermodynamics. They’ve got a fire going, and then this happens:

“I’m being honorable here,” he said, slanting a glittering look at her, “and giving you fair warning. But this is probably the only time, so don’t get used to it.”

She started to ask, Fair warning about what? but was afraid she knew the answer. Maybe “afraid” was the wrong word. Alarmed, yes. Annoyed. Terrified. And most of all, excited.

“When I thought we would be rescued, I tried my damnedest not to do anything to scare you off,” he said as casually as if they were discussing the stock market. “I knew you’d be back on your own territory, able to call the shots and avoid me if I made my move too soon. But now, I know rescue isn’t coming, and I have you to myself for days, maybe as long as a couple of weeks. It’s only fair to tell you I plan to have you naked in a day or so, once we’re at a warmer altitude and we’re stronger, feeling better.” [p. 206]

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LIKE, FOR FUCKS SAKE

REALLY

“I wanted to let you know that I’m going to have sex with you, whether you want to or not, because the plane crashed and we’re alone in the wilderness.”

FUCK RIGHT OFF WITH THIS BULLSHIT

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OH MY GOD I AM SO ANGRY ALL OVER AGAIN

“Wait, wait, Alaina – maybe she turned him down? You stopped reading, you don’t know that for sure!”

Hi, have you met me? I’m Harry Burns. I read the end of the book, motherfuckers!

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They sleep together. It’s inevitable. There’s the usual, “I don’t know if I should sleep with him” equivocation, but it comes from a place of “I’ve put up all these walls and I don’t want to be emotionally vulnerable,” and not from the “HE IS TAKING ADVANTAGE OF YOUR TRAUMA TO USE YOU SEXUALLY HOW DO YOU NOT FUCKING SEE THAT” place.

I was so angry –

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But also, I ended up leveling up my elliptical level by about 50 – I started pedaling so hard because I was SO FUCKING ANGRY, I think I burned about seventy billion calories.

I can’t remember the last time a book made me angry. I am so mad that that type of arrogance on the part of the male character was common and expected and not fucking challenged at any point in the editing process.

So. I stopped reading it. I’m taking it back to the library tomorrow, and good riddance to it. But now it’s 1 a.m., and I really should be asleep. Maybe Future!Alaina has some other thoughts, but for now, Present!Alaina is going to try and erase this book from her poor, traumatized tired brain.

Note From The Future: Future!Alaina has no other thoughts; Past!Alaina did a pretty good job, all in all.

Grade for Up Close and Dangerous: Twilight Stars

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Fiction: “Dirty Love” by Andre Dubus III

dirty loveMerry Christmas! And if you don’t celebrate, Happy Monday or whatever!

Dirty Love was another book during one of my many library binges this year. For reals, I know I bitch about the Yarmouth library (a lot, and I only feel slightly bad about it), but I’ve never left the library empty-handed. In fact, I usually take out six books at a time, and then only finish two during the first three week period. Then I renew the other four, and at the end of the renewal period at least one book is going back unread and the other two are going back late.

I’m pretty sure that the only reason I picked this off the shelf is because of the title, so, four for you, Andre Dubus III, you go Andre Dubus III!

Andre Dubus III also wrote The House of Sand and Fog, which was turned into an Oscar-nominated film that I have not watched, starring Sir Ben Kingsley and Shoreh Agdashloo, whose name I love to pronounce. Also, she’s fantastic. However, I have not read The House of Sand and Fog, so I have no idea what it’s about.

Fun Fact!: I went into my office a few weeks ago to get a book for my mother to read, and I found a copy of The House of Sand and Fog on my bookcase. I have no idea where that came from, or when I purchased it. Although now that I think about it, I may have taken it from the remnants of the huge yard sale we did this summer … but regardless, while it wasn’t as weird as that time my Dad found six Silence of the Lambs posters that he claims I purchased and I have no memory of doing so, it is still a tad weird.

SO ANYWAY. Dirty Love is a series of short stories-slash-novellas, and each deals with a romantic relationship and the downsides of all of them. It’s so heartwarming! Merry Christmas, everyone!

The first story, “Listen Carefully As Our Options Have Changed,” tells the story of Mark Welch’s divorce. Mark is a project manager, and he’s been married to Laura for a long time. They divorce because Laura has fallen in love with Frank Harrison, Jr., but Mark is still living in the apartment over the garage.

From what I recall (because remember, I read this in April, it’s been a while, I said I was going to get better at this, clearly I lied), the meat of this story comes from the character deep dive we do on Mark. The story is told from Mark’s perspective, which means the salient points flow through Mark’s head, kind of like a stream of consciousness. So it starts off with the current problem Mark’s dealing with, but then he’ll remember something from years before, like this gem of advice from his former mentor:

“Your problem is you’ve subscribed to the wrong motivational theory. That’s what big sisters do. They believe everyone has their heart in the right place at the right time and all you have to do is point them in the right direction. Wrong. People are naturally fucking lazy. They’d rather lie around all day eating, fucking, and scratching their balls. That’s why pricks are needed, my friend. It’s called micromanagement and it works.” [p. 22]

And Mark took that work advice to heart, and let it bleed into his personal life. HOO BOY, did HE make good choices!

Here’s what I’ve learned from micromanagers: they are GREAT at getting involved with everyone else’s shit, but they are COMPLETELY INCAPABLE of managing their own. And Mark Welch is an excellent example of that in literary form.

And he used that micromanage-ey trait when he first met Laura, as his realtor:

But there was something so accepting about this woman [Laura] who had sold him his condo that he was soon inviting her into it, the sun low over the water. Mark distracted by the gold in her hair, her deep green eyes, her high cheekbones and straight clavicle, and he liked how she wanted to hear about him, his job and his boyhood, but not like she was interrogating him or sizing him up. There was a calm to her, a passivity he could only do one thing with – to take it in his two hands and begin to shape, then manage her as he saw fit. [p. 79-80]

Let me be clear: Mark is an asshole. But – like with many assholes – sometimes, what they say has a ring of truth to them. For instance:

[…] the sounds of a television in an open window somewhere, baseball again, the Red Sox, and he was a good athlete in high school, fast enough to play in college though he did not for he knew he was not good enough to play behind that so what was the point? It wasn’t practical. It wasn’t the logical thing to do, and he is so tired of logic, so tired of managing every last detail of each and every day, and how sweet to let go of the wheel and let someone else drive […] [p. 49]

As someone who, for the longest time, kept her focus on the practical choices and rarely deviated down a spontaneous, frivolous path, that paragraph stung, a bit. However, my Type A control won’t even let me think of passing the wheel to someone else. (When Beyoncé asked all the women who’re independent to throw our hands up at her, you bet your ass I threw mine the highest and hardest. Not that she could see, but still)

And then, going back to Mark’s assholery (which Word recognizes as a real word, go me!), there’s this moment where his lover, Lisa, pisses him off about something and he grabs her wrist:

“Fuck you.” A flame flares up behind his left eye, the back of her knuckles sliding away like a snake’s head, and he is on his feet, the plastic chair sailing out away from them, the clatter of it on the neighbor’s roof before falling though Mark’s eyes are not on it but on Lisa Schena’s, her wrist locked between his squeezing fingers.

“What gives you the right to do that, huh? What?

“Let go of me.” Laura’s words, not this woman’s, but they come from her mouth like some memorized lines from a script written before any of them were born. [p. 68-69]

YES ALL WOMEN. #MeToo

The second story in the book is “Marla.” It’s about Marla. Marla’s a curvy, overweight woman who is slightly obsessive about her body image (as all curvy women can be). She’s never dated before, and she works at a bank. She meets Dennis, who’s got a bit of a dad bod, I guess? My notes from when I finished the book note that Dennis is also “curvy”, so I’m going to go with it. Dennis is a fictional character, what’s he gonna do, yell at me for using a feminine descriptor? Go fuck yourself, Dennis.

Anyway, Dennis flirts with Marla at the bank and she agrees to go out on a date with him. And they keep dating, to the point where she moves into his apartment. The problem in this story is that Marla can feel herself slipping away from herself slowly as she goes through the relationship. First, Dennis always showers immediately after sex, which gives Marla a bit of a complex. She moves into his apartment, and finds herself always watching the movies that Dennis wants to watch. Dennis gets up from the table after dinner and immediately washes the dishes, like, he can’t wait five minutes to talk before those dishes need to be cleaned. Marla talks to her friends about the relationship, and she’s confused; after all, this is her first one. At first it’s nice that he dotes on her and she feels that they’re in love, but at the same time, she recognizes that he is subsuming her sense of self, and she’s letting it happen, because they’re in a relationship.

Remember when I said I was independent? While I may be curvy and neurotic like Marla, and yes, I haven’t really dated, but as nice as the dude is? This story will never happen to Alaina. And yes, this story did hit a bit close to home at times.

MOVING ON. Third story, “The Bartender.” I didn’t take many notes on this one. The titular bartender is Robert Doucette. He’s married to Althea, who is expecting their first child. Robert bartends at an oceanfront hotel (I’m gonna call it the Seafarer, but I’m 83% sure I’m wrong). He flirts with the waitresses, but he does so as a front; he considers himself a failed poet. He went to college for an English degree, and hoped to write poetry. He considers his bartending a failure, and he keeps searching for people to appreciate him.

He remembers advice a former teacher had given him about a poem Robert had written, in which the poem deals directly with Robert’s adolescence and his hopes of escaping his hometown:

That poet-in-residence had told Robert he should start looking at other people instead of expecting everyone to look at him. [p. 155]

So obviously, Robert totally learned his lesson.

Over the summer, Robert has an affair with Jackie, a waitress at the bar. Althea discovers the affair and gets so upset (I think she may also fall?) that she suffers a placental abruption. Robert races to the hospital to learn that the baby is born early.

The final story is also the titular story, “Dirty Love.” “Dirty Love” concerns itself with Devon, an 18-year-old high school dropout who lives with her Uncle Francis. She dropped out of high school when a video of her blowing her boyfriend was posted on the internet and her father found out.

Uncle Francis is in his 80s and a widower. He’s a former teacher, and also a former drunk. His wife, Beth, loved him dearly but also nagged and complained at him and his drinking in an attempt to force him to be better. He tries to tutor Devon in-between her shifts as a maid at the Seafarer in the hopes of getting her to college, but Devon doesn’t have any ambition to that.

At night, Devon wades through the misery found on ChatRoulette (though it may have been named something different in the book), and meets Hollis. They chat and have conversations, and she tries to hide her late-night conversations from Francis because she doesn’t think he’ll understand.

At one point, Charlie, Devon’s father, visits Francis and wants to have Devon come home. But Francis doesn’t want that to happen, because Devon’s being there has given Francis something to do in his retirement, and he feels useful for the first time in a long while.

“Dirty Love” ends with hope. I couldn’t spoil it if I wanted to, because I can’t recall the exact ending, but I know Devon leaves Francis with the intent of escaping her roots. Whether that will end up like Robert’s attempt or not is left up to the reader. But speaking of independence, this quote from Francis stuck with me:

[…] for if he’s learned nothing in all his years he’s learned that, that from our first gasps for air till our last, we simply want to be left alone to do what we want to do when we want to do it, and because this is rarely the case we crave oblivion in any way it presents its dark, sweet self to us. [p. 287]

You, me, and Greta Garbo, Francis.

Overall, I liked the four stories; I thought they were very well-written, and offered four different perspectives on romantic love and the pitfalls therein. I’m a little proud of myself for finding this after Valentine’s Day, because this feels like something I’d try to read around that time and really depress myself; but I didn’t, so, inadvertent progress, or something.

Merry Christmas!

Grade for Dirty Love: 2.5 stars

Fiction: “The Blind Assassin” by Margaret Atwood

blind-assassinThe Blind Assassin was … well, I don’t know what it was. It’s been so long since I decided to read it that I can’t remember why I wanted to read it anymore. Maybe because it would have been a valid Lunch Break Book while I was reading Just Like Heaven. Maybe because The Handmaid’s Tale is one of my favorite books but I was feeling guilty for not reading anything else by Ms. Atwood. Maybe it’s because I own the book but hadn’t read it yet.

Regardless, I decided to read it, and … ended up finishing it in entirely too long a span of time – one month, to be exact. (She says, writing a blog post about a book she finished in April.)

Full disclosure: this is the fourth time I have attempted to write this review. I am not sure I am up to the task. It’s a dense book with multiple points of view and styles, and I have been trying very hard to not give away spoilers. I’m going to try and just … word-vomit this all out at once and move on, and if in another ten years I look back because I think I want to read The Blind Assassin and hope that my review will remind me of what it was about … sorry, Ten Years From Now Alaina, you were never a good reviewer to begin with, and what did you expect?

So, generally speaking, The Blind Assassin is the story of Iris and Laura Chase. They grew up in Port Ticonderoga, Ontario, the daughters of a button manufacturer who made a name for himself prior to World War I. Laura is a sheltered child, and as we’re learning of her story through Iris’s remembrances, it’s hard to say if this perception is accurate.

At a company picnic, Iris and Laura meet Alex Thomas, a Socialist who is passing through Port Ticonderoga. He gets involved with a riot and the girls hide him in the attic for a spell; both girls fall in love with Alex a bit. Shortly after, the economy turns and the button factory deals with many losses. In an effort to remain afloat, Iris’s father sells the button factory to shirt manufacturer Richard Griffen; he also gives permission for Richard to marry Iris at the same time. Iris’s father’s health declines quickly into alcoholism, so Laura is sent to boarding school to get her out from under Iris’s feet.

Iris grows miserable in her arranged marriage. The only bright spot is the birth of her daughter, Aimee. Then Richard sends Laura away for what appears to be no reason. She is sent to a sanitarium and no one will tell Iris what happened. The assumption is that Laura and Alex Thomas were having an affair and Laura’s fragile mind couldn’t keep up the secrecy. Alex joins the forces in World War II, and after Laura learns of Alex’s death, she steals Iris’s car and drives it off a bridge, killing herself.

The death of Laura Chase is actually the first thing we learn when we begin reading The Blind Assassin; we hear Iris’s remembrance of that day, followed immediately by Laura’s obituary in the paper. Then, we jump into a few chapters of he novel-within-the-novel, titled The Blind Assassin and written by Laura Chase; Iris had it published posthumously.

 

The Blind Assassin that Laura Chase wrote stars two anonymous lovers: the man is in hiding for something, moving from flophouse to flophouse; the woman is in a strained, unhappy marriage to a rich man. In-between bouts of lovemaking, the man tells the woman a science fiction story about a blind assassin. As we read Laura’s novel within Iris’s remembrances, we are led to believe that Laura and Alex are the anonymous lovers in the story.

There is a lot more to the story – both Iris’s and Laura’s. But the fact of the matter is – it has been so long since I read this that the details are no longer fresh in my mind. Additionally, I feel that if I talk about it more or get into more depth, some key notes in the story would be lost and spoiled for a new reader.

What I can say is, while I appreciated the style in which Ms. Atwood told her tale, I find that I will most likely reread The Handmaid’s Tale before rereading The Blind Assassin. I’m also interested in reading more of her truly science-fictioney novels, so as soon as I find those, I’ll pick them up from the library.

Ms. Atwood is an amazing writer; The Blind Assassin won’t be one of my favorite books, that’s all.

Grade for The Blind Assassin: 2 stars

Fiction: “Veronika Decides to Die” by Paulo Coelho

veronika“Goodness, Alaina, this sounds like a cheery little thing. What on earth could have made you want to read something like this?”

“First of all, Little Miss Opinionated, let me remind you that I have read a lot of books in my day, and every once in a while I can appreciate when a book tells me in its title what the story is going to be about. Second of all, the copy I had was a total of 210 short, well-spaced-out pages, so I read it in like, a week. And thirdly, it’s a master work of literature. No other factors were used in my decision-making when it came to deciding to read the book.”

[Spoiler alert: Sarah Michelle Gellar also starred in the film adaptation, and, much like Gillian Anderson, I’ll watch Sarah Michelle Gellar in anything. And before y’all get on your high horse about Buffy and how she was awesome in that, yes, I agree with you, but I’ve been a fan of Sarah Michelle Gellar since she was the original Kendall Hart on All My Children. I remember when she got Erica all riled up enough to stab Dimitri with a letter opener! Basically, when it comes to Sarah Michelle Gellar, step off, I’ve loved her longer than you.]

I am constantly competitive with myself. I keep records of what books I read in what month (which comes in handy now, seeing as how I couldn’t remember if I had read this in March or February, because it takes me for-fucking-ever to review books now, for stupid reasons) per year, dating back to before this blog. So I’m constantly playing a game with myself when it comes to reading: have I read more books in [MONTH] than I did in [MONTH] last year? How many books had I read by this time last year, and have I passed that mark?

At the beginning of March, I had finished my ninth book in 2016 (Live and Let Die), coming in under the wire thanks to February 29th. Compare that to 2015, on March 1st, I had only completed 4 books. And because I wanted to get a head-start on 2016, hoping to finally achieve that elusive, 50-title goal, I picked a couple of short books in March in an attempt to pad out my head start.

Wandering through the shelves of the Yarmouth library, I found this title, and was very encouraged by the thinness of the book. Plus, I could almost do a That’s What She Read-Movies Alaina’s Never Seen tie-in, if I wanted to. (I decided I didn’t want to, because I actually did watch the film [it’s on Netflix right now!], and it matches the book’s plot very well. It wouldn’t provide the same delight as my Tie-In with Moonraker did.)

As an added bonus, I had downloaded a spreadsheet years ago about the 1,001 books to read before you die, and Veronika Decides to Die was one of them. Another checkmark earned!

The story takes place in Mr. Coelho’s native Slovakia. Veronika is 24 years old, and she decides to commit suicide, as there is no joy to be found in her life now, or in the future. I didn’t take a picture or copy the quote before returning the book to the library, but her reasoning was– actually, I’m going to quote the film, because it might be actually lifted from the book, but even if it wasn’t, it’s an excellent summary:

“Well, let’s see. After you decide that I’m depressed, or whatever, you’ll put me on meds, right? Well I know hundreds of people on them and they’re all doing just fine. Really. I’ll go back to work on my new anti-depressants, have dinner with my parents and persuade them I’m back to being the normal one who never gives them any trouble. And one day some guy will ask me to marry him. He’ll be nice enough. That’ll make my parents very happy. The first year we’ll make love all the time, and in the second and third less and less. But just as we’re getting sick of each other, I’ll get pregnant. Taking care of kids, holding onto jobs, paying mortgages; it’ll keep us on an even keel for a while. Then about ten years into it he’ll have an affair because I’m too busy and I’m too tired. And I’ll find out. I’ll threaten to kill him, his mistress… myself. We’ll get past it. A few years later he’ll have another one. This time I’m just going to pretend that I don’t know because somehow kicking up a fuss just doesn’t seem worth the trouble this time. And I’ll live out the rest of my days sometimes wishing my kids could have the life that I never had. Other times secretly pleased they’re turning into repeats of me. I’m fine. Really.” [Veronika Decides to Die, 2009 [via imdb.com]]

Well, neighbors call on Veronika when she’s in the midst of her pill-induced overdose, and when she wakes up, she’s in Villette, a state-sponsored insane asylum, put there by her parents in an attempt to get her help. Her psychiatrist, Dr. Igor (not making it up), tells her she was in a coma for two weeks, and also, the overdose created a heart condition, and now she only has one week to live. And no, he won’t release her from the asylum so she can overdose again; she needs to be monitored.

Basically, the whole thing is a sham: Dr. Igor only told her that she was dying so she could learn how wonderful life is: to treat every day she has on Earth as a miracle, and to inspire her to live life to its fullest. And it takes a while – Veronika finds a piano in a sitting room and remembers how much she wanted to be a pianist, but her parents and her lack of risk-taking turned her into a stable librarian instead. She first reconnects with her passion through music.

She also realizes that, while in an insane asylum, no one will give a second thought about her if she starts to act “crazy” – in other words, telling people what she thinks without filtering her thoughts, or acting out violently; those acts have no consequence, because she’s already been labeled “crazy” by her placement in the asylum.

And as she realizes that, she gets back in touch with her “true” self – the self unfettered by Society.

[Veronika] finished her studies, went to university, got a good degree, but ended up working as a librarian.

“I should have been crazier.” But, as it undoubtedly happens with some people, she had found this out too late.  [p. 94-95]

This quote resonates with me, because I too find myself wishing, occasionally, that I had been crazier growing up. But Society pressured me into playing Life extremely safe: my focus was entirely on being financially stable. I transferred to a state school because a) it was more affordable, and b) it offered a better education. In accounting. And now, ten years after graduation, I am finally using my degree and enjoying it – in a government job, the epitome of risk-averse. After all, the only things guaranteed in life are death and taxes.

And now, where I’m facing a future where I no longer need to assure my financial stability and can start working on a personal life, I don’t even know where to begin to break myself out of my shell. Because that, to me, would mean I would need to be ‘crazy.’ And I don’t know how.

ANYWAY, enough about me. In the end, Veronika falls in love with Eduard, another patient who only begins to speak after he and Veronika share a connection, and together they escape the asylum. Dr. Igor ends the novel with an entry in his diary where he admits that someday Veronika will eventually see another doctor, and that doctor will tell her that her heart is perfectly healthy; but until she does, she will treat every day as a miracle. Which, every day is, really.

In short, it’s not as depressing as the title makes it out to be, and if you like novels with a philosophical bent, you would probably appreciate this.

The movie, however, tells the story just as nicely, plus stars Sarah Michelle Gellar. Oh, and Professor Lupin plays Dr. Igor, so that’s nice too.

Grade for Veronika Decides to Die: 3 stars

Fiction: “Room” by Emma Donoghue

RoomThis year for Oscar!Watch, I decided to level up for some unknown reason – oh, wait, do you guys who follow my reading blog but not my movie blog even know about Oscar!Watch?

Every year, when the Oscar nominees get announced, I attempt to see every movie nominated for what I call the Big 8 categories: Best Picture, Best Director, the four Acting categories, and the two Writing categories. I even make a chart and everything to aid in my quest. And every year, I always miss about three or four movies that don’t make their way to Maine in the appropriate time period.

So this year, because Oscar!Watch isn’t hard enough, I guess, I decided to also read the books that were the source material for the Best Adapted Screenplay nominees. I’m not sure why I made that decision; I think it was a combination of realizing that the nominees were all based on books that were readily available (as opposed to an obscure play), and those books were all available at My Local Library (well, almost all – the Yarmouth Library has a disheartening amount of Patricia Highsmith titles, so Carol or The Price of Salt remains elusive – I mean, they don’t even have Strangers on a Train, what’s with that?), and maybe there was also a part of me that, when looking at the titles, said to herself, “I might enjoy reading that anyway.”

I think there may have also been some thought about wanting to discover the One True Winner of this category, because I can guarantee that the Oscar voters don’t take the time to read the books the movies are based on, watch the movies, and then vote based on how well the original source material was adapted into the resulting film. I’m guessing that, when it comes to that category, the Academy members vote for the film they feel was the best written, and it just happens that the source material isn’t original. But I almost want them to vote the first way: see the source material, watch the resulting adaptation, and vote for the movie that accomplishes the best version of their source material.

But regardless of what my intentions were, it was a decision I made, and I was able to read four out of the five nominees. I kicked off the reading session with Room.

I didn’t really have any idea what Room was about when it first came out a few years ago. I know I saw it everywhere – especially Target; I seem to remember seeing a lot of it at Target – but I wasn’t interested enough to pick it up to read the back of the book. (It may have also been a situation like with Water for Elephants, where the back of the book is all blurbs and no plot description. Stop doing that, Publishers! I am not buying your book without knowing what it’s about [unless it’s an author I’m already familiar with]!) I also wasn’t entirely sure if it was fiction or non-fiction. Spoiler alert! It’s fiction.

The story of Room is told by Jack, and we meet Jack and his Ma on his fifth birthday. Jack is our narrator, and Jack and Ma live together in Room. Jack spends his day doing chores, running “track” back and forth across Room, playing “Scream,” a game where he and Ma scream up at the skylight of Room, and watching TV. Jack believes that what he sees in TV isn’t Real, but everything that happens in Room is real.

After Jack goes to bed at night, Ma is visited by Old Nick, who brings them groceries, clothes, and Sunday-Treat: a special object every Sunday, be it candy or a new toy. But Old Nick only visits after Jack is hidden in his wardrobe bed; Jack has never seen Old Nick’s face.

Because the story is told from the perspective of a five-year-old boy, there are a lot of jumps the reader has to make to understand what’s really happening. For instance, when Old Nick is visiting Ma, Jack can hear them making the bed’s mattress creak. Jack thinks they’re just pushing the mattress up and down (which seems like an odd game to Jack), but the reader can read between the lines to recognize what’s actually happening.

The reality that Ma has shielded Jack from for the previous five years is this: Ma was a college student and was tricked by Old Nick one day.  Old Nick kidnapped her and locked her in this Room, which turns out to be a soundproofed shed he keeps in his backyard – hence, playing “Scream” in the hopes of being heard: Ma has turned a hope of rescue into a game. Old Nick repeatedly rapes Ma, and Jack is the product of one of those rapes. Ma has done all in her power to enforce healthy habits with what she’s given: because they can’t leave Room, Jack and Ma move the bed around and do aerobics and “run track,” which is just back and forth the length of the room to keep their strength up. They bathe as much as possible, and she makes sure Jack brushes his teeth after every meal. She makes up a grocery list for Old Nick, and she always requests food with good nutritional value.

Ma couldn’t tell Jack the entire scope of their situation, because he was too young to understand. I mean, if you’re a five-year-old who’s been raised to not realize that there’s an Outside, you never want to go Outside. If you think cars that you see on TV aren’t real, then you won’t ask why we don’t have a car, why can’t we go anywhere. It was a coping mechanism for Ma, but also for Jack – he can’t feel bad about their situation if he doesn’t really know what their situation is.

Shortly after Jack’s birthday, Old Nick tells Ma that he’s been unemployed for six months, and the house may get foreclosed upon if he can’t get work. Jack, our narrator, doesn’t understand what that means, but Ma certainly does. If the house is foreclosed upon, Old Nick won’t just let them go – he’s going to kill them. So Ma spends a couple of days to come up with a plan; when she does, she realizes the most important thing is also the hardest: she has to tell Jack about the outside world.

In a harrowing sequence, Jack is able to be smuggled out of Room and is able to jump out of Old Nick’s pickup truck and give a message to some neighbors. The police get involved, and they are able to find Ma’s location and rescue her. Ma is relieved, but Jack doesn’t understand that he’s never going to go back to Room – it’s the only home he’s ever known, what do you mean they’re never going back? What about all the toys and mementos from his childhood?

The rest of the book shows how traumatizing it can be for someone to get integrated into the world when they’ve been isolated for their entire life. Jack struggles a lot to reconcile what he’s only known to the reality: that there are a lot of experiences he’s missed out on, like grandparents, and dogs, and making friends, and cousins, and paying for things at a store.

Ma – or Joy, as we find out her name once she’s released from Room – also has a hard time reintegrating into her world. In the seven years that she’s been missing, her parents have divorced. Her father thought she was dead, and he can’t quite come to terms with the fact that not only is Joy not dead, but she was repeatedly raped, and also, her son is a reminder of his failings as a father: he was unable to protect his little girl. Her mother has remarried, and now Joy has to be nice to a person who has usurped her father’s role as head of the family. Joy also has to alleviate her guilt that she now feels about being too gullible or stupid to have fallen for Old Nick’s trick in the first place.

There’s a lot of emotions going on in the book, and it’s very interesting because again, the entire book is written from Jack’s perspective. Once I knew what the book was about (because yes, I totally read the synopsis on Wikipedia before getting too far into it – I am Harry Burns, after all), I was worried that I’d put it down or the writing style would make it difficult for me to get through.

I read the dang book in three days. I can’t remember the last time I read a book so quickly. I started reading it on a Thursday night – I think it was a Thursday night; maybe it was Friday. Anyway, I started reading it around 11 so I could fall asleep; fast-forward to two hours later, and I’ve read ninety pages and I’m still wide awake. (I think it was a Friday night, because if it was a Thursday I would have been pissed about losing sleep before a workday.) And I was finished with it by that Monday.

How did it compare to the film? I thought the film adaptation was very close to the book. Obviously, it cut some things out, but what they cut out didn’t impact the plot at all. As this was the first book I read in the Level Up project, I didn’t have anything to compare it to, but I thought the adapting of the book to the film was very well-done.

(Then I remembered that the author herself wrote the screenplay; so, duh. That makes total sense.)

Also, Brie Larson was totally deserving of her Best Actress Oscar. And I’ve said it before and I know I’ll say it again: it’s a fucking shame that Jacob Tremblay wasn’t nominated for a Best Actor Oscar for playing Jack, because a) he was phenomenal and b) he acted fucking circles around Leonardo Di-fucking-Caprio. Goddammit.

Grade for Room: 4 stars

Fiction: “Babayaga” by Toby Barlow

babayagaShortly after Erica and I finished reading Egg & Spoon, I found myself wandering the aisles of the Yarmouth Library. Now, I am used to browsing the Portland Public Library and Curtis Memorial Library, in my hometown of Brunswick – both libraries are filled to the brim with a wide variety of reading material. When I go to the library, I intend to spend at least thirty minutes perusing the aisles. So when I wander around the Yarmouth Library and all of their fiction – all of it – fits in one room?!

Well, needless to say, I was a bit gobsmacked.

Instead of browsing through rows upon rows like I’m used to, I looked at pretty much every book in that room. (I almost said “literally” just now, but decided against it.) When I got to the B’s and saw Babayaga, I shrugged and added it to my pile.

It … it was weird. The book, and having so small a library. The whole thing was weird all over.

The story of this particular babayaga takes place in Paris in either the late 1950s or early 1960s. I can’t remember which, and the book has since been returned to the World’s Second-Smallest Library (I’m sure there’s a smaller one somewhere else – there has to be). The plot involves two witches – babayagas – that escaped Russia after the Bolshevik revolution and are now attempting to hide in plain sight. There’s also Will, an American CIA agent hiding as an advertising executive, who’s just been told his position is being eliminated. He crosses paths with the younger, more beautiful witch, Zoya, who ends up falling in love with Will against her better nature. There’s also Elga, Zoya’s older colleage (who happens to be much more diabolical than Zoya), and Inspector Vidot of the Paris police force, who spends the better part of the novel as a flea.

To say this book is surreal would be the biggest understatement since I said, “Man, this show Hannibal is pretty good.” Obviously it’s going to be weird, what with the Russian witches and Parisians that speak perfect English and the people being Kafka’d into arthropods, or however the fuck fleas are classified. But Vidot never really reacts poorly to being turned into a flea; nor does Will really react when he observes a magic fight between Zoya, Elga, and Elga’s apprentice whose name I cannot remember. I don’t know if it’s because the novel takes place in France and the French are typically blasé about everything, or if the author is attempting to make a statement about the supernatural being just as mundane as everyday life. But whatever the reason, there were numerous moments where I felt someone – anyone – should react like this:

buffy cast scream photo buffycastscream.gifbut instead, everyone reacted like this:

tv-addiction-emma-stone-meh-gif

(if I had madder Photoshop skillz, I’d totally add a beret and cigarette to that .gif.)

ANYWAY. (drink!) For lack of a better phrase, the entire book felt very … existential. Like, it almost – almost, mind you – almost made me want to reread Les Jeux Sont Faits by Jean-Paul Sartre. And while I do have a compendium of essential existential works (wait – is that an oxymoron? Dear Friend Thomas, care to weigh in on this?), rereading anything in its original French (no translation, hurrah!) is daunting, at best.

If I remember the back of the book correctly, Babayaga is supposed to explore love as a concept, and I’ll be honest, I … didn’t really get that. At all. Sure, the characters extemporize on the emotion, but nothing really resonated with me.

Although there were some pretty epic quotes, of which I thankfully remembered to take pictures before I returned the book to the library. Yay forethought!

The novel’s narrative structure is broken up by the occasional poem, or “Witch’s Song.” These songs are supposed to shed enlightenment on the plot through the ethereal voices of Elga’s former babayaga coven. I really liked this last stanza of one of the songs:

Ghosts, they say, stay for three simple reasons:
they love life too wholly to leave,
they love some other too deeply to part,
or they need to linger on for a bit,
to coax a distant knife
toward its fated throat.  [p. 110]

For all of her crazy, Elga really is a feminist:

“I’ll tell you one important thing,” [Elga] said. “If you ever marry a man, don’t take his name. Tell him you’re untraditional, make a scene, have a fight, but” — she shook her finger in their faces — “always keep that one precious thing. Men want to swallow you down, take all of you, even your name, like a big fish gulps down minnows. I tell, you, your name is the piece they cannot have. I have been chased by the law and I have been forced into hiding, but I have always used my own name, in every country where I have ever been, even if the police know it, it’s no matter. Your name is the only important word there is. If you lose your name, you lose your strength, and here amid the beasts you need all the strength you can get.” [p. 268]

And here we have Zoya’s final thoughts about Will and the curse she has bestowed upon him:

Maybe the owls will guide you back to me, maybe not, but I hope with my whole heart they keep you running the wrong way. I hope they make you suffer through it all. It is the oldest and most simple curse on earth, and when properly applied, no cure can be found. Some might call it love.

(i didn’t cite the page because a) I forgot to take a picture of the page number but b) it’s also the very last page of the book. oh shit – spoiler alert!)

In the end, if I were to rank babayagas, the Baba Yaga from Egg & Spoon would be number 2 (Mad Madam Mim would be #1), and these babayagas would be … very much below them.

Grade for Babayaga: 1 star

Fiction: “Rebecca” by Daphne Du Maurier

rebecca-daphne-du-maurier-book-cover-artI was planning on going on a major rant about how much I suck, seeing as how I finished this book back in effing January and here it is nearly St. Paddy’s Day, and I was going to vow that I was going to get better at this, but we all know I’m lying (mostly to myself), so let’s just skip all of that and go right into the review with much less preamble than I’m used to, because this is one of my favorite books and I really think everyone I know should read it if they haven’t already.

Before I can get into the thick of the book, however, I do need to discuss one thing: a major choice in the narrative structure. Ugh. Now I know why I’ve procrastinated this review so much – I really have no idea where to begin with it.

Rebecca is the tale of Mr. and Mrs. Maximilian de Winter, and it takes place in 1930s Britain. Maxim (to his friends) is the landed inheritor of the family estate, Manderley, and it is extremely famous. (I guess, for an American equivalent, it would be like Monticello, but without the historical prestige. It’s a fancy house and everyone knows about it.) The estate is so famous that the Future Mrs. de Winter purchased a postcard of Manderley as a girl and dreamed of visiting it.

She remembers her postcard when she first meets Maxim in Monte Carlo, as she’s working as a hired companion to the American tourist Mrs. Van Hopper. Mrs. Van Hopper introduces herself to Maxim, who clearly wants nothing to do with her. As he politely takes his leave of Mrs. Van Hopper and her companion (who also happens to be our narrator), Mrs. Van Hopper tells the girl (and I’m gonna paraphrase, because the book is in the kitchen and I’m, as we should all know by now, lazy) that Maxim must be devastated after the loss of his wife last year; it must be why he left Manderley.

A couple of days after this incident, Mrs. Van Hopper comes down with the flu or something, and her companion goes to have lunch, where she promptly spills her water glass all over her — she’s very awkward, young, nervous, and klutzy at times. Maxim is dining near her and he immediately insists that she have lunch with him, and lunch turns into spending the afternoon driving around Monte Carlo, and that turns into spending every afternoon together in friendship. Mrs. Van Hopper gets better, and when she learns her daughter is getting married in New York, she and her companion pack up for America. The girl manages to get away long enough to say goodbye to Maxim, but instead of exchanging mailing addresses for postcard-sending, Maxim proposes marriage to her instead. Stunned, and not entirely understanding (but enough to know she didn’t want to go to America), she agrees. Mrs. Van Hopper doesn’t wish her well, instead telling her that she’s making a huge mistake, and that Maxim’s only marrying her because he can’t stand living alone after the death of Rebecca.

That’s right, friends – our narrator is not Rebecca. Rebecca is Maxim’s first wife, who died in a boating accident. Our narrator is only known as Mrs. de Winter, and as “she’s” telling the story, “she” feels no need to introduce herself. In addition, all the other characters she comes in contact with either call her “Mrs. De Winter” or “dear” or some other derivative. I’ll get more into that in a minute.

Their honeymoon is wonderful – full of happiness and light, though we never see these weeks directly. We only hear about them after the fact, once the happy couple have returned to Manderley. And as soon as they drive through the gates, a change comes over Maxim. In public, in front of the servants, he is reserved. In private, he is adoring of Mrs. de Winter – unless something put him into a mood before the scene.

Her introduction to the house includes the servants: Frith the butler, and Mrs. Danvers, the head housekeeper. Mrs. Danvers does not take to Mrs. de Winter, and the latter feels as if the housekeeper is constantly looking down her nose at her.

Her first day as mistress of the house doesn’t go the smoothest. Mrs. de Winter has breakfast with Maxim before he goes to the estate office, but then she doesn’t know what to do. She heads to the library (one of the rooms she knows how to get to), and is trying to start a fire because it’s chilly when Frith asks if he can be of service.

“I felt rather cool in the library, I suppose the weather seems chilly to me, after being abroad, and I thought perhaps I would just put a match to the fire.”

“The fire in the library is not usually lit until the afternoon, Madam,” he said. “Mrs. de Winter always used the morning-room. There is a good fire in there. Of course if you should wish to have the fire in the library as well I will give orders for it to be lit.”

“Oh, no,” I said, “I would not dream of it. I will go to the morning-room.” [p. 80]

(Yeah, I went and got the book out of the kitchen.)

When Mrs. de Winter goes into the morning-room, everything has Rebecca’s touch over it. The stationary, the furniture, the accents, the decorations. The feeling of being a stranger in someone else’s house begins to overwhelm her, and when Mrs. Danvers calls her on the house telephone (oh, the 1930s), she gets frightfully mixed up:

And when the telephone rang, suddenly, alarmingly, on the desk in front of me, my heart leapt and I stared up in terror, thinking I had been discovered. I took the receiver off with trembling hands, and “Who is it?” I said, “who do you want?” There was a strange buzzing at the end of the line, and then a voice came, low and rather harsh, whether that of a woman or a man I could not tell, and “Mrs. de Winter?” it said, “Mrs. de Winter?”

“I’m afraid you have made a mistake,” I said, “Mrs. de Winter has been dead for over a year.” [p. 83]

And it keeps getting worse. She learns that Rebecca and Maxim used to have their rooms in the west wing, which overlooks the ocean, but when they returned from their honeymoon Maxim put them in the east wing. Mrs. de Winter bows down to Ms. Danvers constantly, not making any changes or even attempting to assert herself. And throughout everything, she believes that she has been chosen as a replacement for Rebecca just so Maxim doesn’t have to be alone; she truly believes that he doesn’t love her at all, and that he is still in love with Rebecca.

And then, there’s the fancy dress ball. The villagers (most of them are rather wealthy, so don’t think they’re serfs or anything) want Maxim to reinstate the fancy dress ball, and Maxim eventually caves in. Now, I have read this book at least four times, and I’ve seen the movie at least twenty times (oh SHIT guys, don’t let me forget to talk about the movie), so I know how this is going to go. Every time I read this book or watch the movie, I blow through the first two hundred pages, but when I get to the fancy dress ball? I slow my reading down, because what happens is so awful that I just want to reach into the book, grab Mrs. de Winter’s shoulders and yell, “WHY ARE LISTENING TO MRS. DANVERS??!”

The night after the fancy dress ball, Mrs. de Winter has a confrontation with Mrs. Danvers, and just when it looks as if Mrs. Danvers is going to finally strike the death blow on Mrs. de Winter — a ship runs aground in the harbor. Their confrontation forgotten, Mrs. de Winter runs out to find the constable, and she learns the horrible truth — The ship ran aground on Rebecca’s boat.

And the diver found a second body in it.

Okay, I can’t comfortably speak about any of the rest of the plot, because from here on in, we’re in Major Spoiler Country. And while I’m okay ruining some things – especially when I feel like the time limit has run out (Rosebud was the name of the sled, Gwyneth Paltrow’s head’s in the box, and Norman Bates dressed up like his mother to kill people) — but I refuse to spoil this book, because if you don’t know what happens, it makes the book so much better.

(As perfect evidence, I recently lent Gone Girl to my mother:

“Mom, I know you’re like me — I know you want to know what happens, and you’ll want to read ahead to find out what happens. I am telling you – RESIST THAT URGE. Do not — DO NOT — skip ahead in this book. If you do, you will regret it.

She didn’t skip, even though she was tempted, and she really … I wouldn’t say “enjoyed” the book, because it’s not an easy book to “enjoy,” but the experience of reading the book was better.)

Here’s why it’s so important that Mrs. de Winter doesn’t have a first name – you can substitute yourself into the role of the narrator much easier. When everything is I feel, I thought, I wondered, but you don’t have another name to attach to that, you can almost find yourself feeling those same feelings. So then, when you put yourself into this nameless narrator, and all she’s seeing are memories of her husband’s first wife – in the few notes that are still hanging around in frontispieces of books, in the stationary, the monogrammed handkerchief she finds in an old raincoat – and she deeply believes that her husband doesn’t actually love her, that he’s still in love with his first wife – that first wife almost becomes a physical presence.

It’s a claustrophobic feeling – it’s a heart in a death grip, and you’re also not strong enough to be your own voice. It’s terrifying.

Ugh, this is really hard to explain. The best thing about this book is the atmosphere. It’s Gothic, it’s Romantic, it’s oppressive. There’s nowhere to escape. You’re stuck in Manderley just as badly as Mrs. de Winter, and you’re not sure if you even have allies, because it seems that everyone can’t stop talking about Rebecca.

“He doesn’t love me, he loves Rebecca,” I said. “He’s never forgotten her, he thinks about her still, night and day. He’s never loved me, Frank. It’s always Rebecca, Rebecca, Rebecca.” [p. 225]

It’s heartbreaking.

Now, the movie – it was directed by Alfred HItchcock, first of all. It starred Laurence Olivier as Maxim de Winter, Joan Fontaine as (Oscar-nominated) Mrs. de Winter, and my all-time favorite, George Sanders, as Rebecca’s cousin Max Favell. George Sanders, for those who may not know, voiced Shere Khan in Disney’s The Jungle Book, but most importantly, played my Role Model For Life in All About Eve – theatre critic Addison de Witt. The movie continues the atmosphere found in the book, and Judith Anderson’s Mrs. Danvers is the epitome of creepy, evil housekeepers.

Quick note: the death of Rebecca has a different outcome in the movie than in the book. I am able to separate the two and I can’t say which version I like better. But be aware that, if you read the book first, it’s different in the movie, and vice versa.

Okay, I’ve been writing this for two hours and it’s nearly midnight, so I’m going to wrap this up by saying: seriously, read this book. Watch the movie. I don’t even care which order you pick. But after you’ve done one or the other, let’s talk about it, because I love both of them.

Grade for Rebecca: 6 stars