Y’all know how rare it is for me to read the next book in a series within the same year as the last one. I mean, at one point, I was reading a lot of series – Sue Grafton’s Kinsey Millhone, J.D. Robb’s In Death; hell, even Lauren Willig’s Pink Carnation series, to name a few. To put in perspective how great-and-by-“great”-I-mean-“awful” at reading series I am, the last time I read any of the above series was 2015, 2016, and 2016 respectively. So the fact that I read the second book in the Tearling Trilogy only eight months after I read the first book – it’s kind of a big deal.
This book picks up relatively soon after The Queen of the Tearling left off. (You might want to click that link and read what happened in the first book before going on with this review; Lord knows I had to, notes be-damned.)
[Also: I’m putting a warning out for this book. The book has detailed passages describing domestic violence, sexual assault, rape, and other nasty, awful things steeped in patriarchy and the removal of women’s rights. Some of the scenes are horrifying. Please be warned.]
Kelsea Raleigh Glynn, the Queen of the Tearling, is readying herself and her country to deal with the repercussions of her actions at the end of the last book: she stopped the Shipment of Tear citizens to the Mort, and now the Mort Queen wants revenge – or at least, for the Shipment to start up again. Kelsea is determined to be a better queen to her subjects than her mother, Elyssa. She has sent her scant armies to the borderlands, waiting for the Mort Queen to invade. Meanwhile, after discussing with her council (led by the Mace), she has ordered all her subjects to evacuate to New London, where she can attempt to keep them safe from the Mort Queen. She’s also nervous, because the sapphires she has have been dormant for a while – in the last book, she relied on the energy coming from her jewels as a reassurance that she was doing the right thing. With the stones quiet, her doubt increases.
During all of this planning, Kelsea is also learning about the past leaders of the Tear. Mace (or another guard, I can’t remember and didn’t write it down) take her downstairs to the royal gallery, where there are portraits of all of the royalty dating back to when William Tear was the first leader of his utopian Tear. She notices a couple of things: 1) Row Finn, a former prince of the Tearling, has been visiting her at night in the fire (yeah, it’s kind of weird and mystical – it’s revealed he’s also been the Evil Thing that was spurring the Mort Queen on in the previous book), and 2) there is a small child painted at the feet of the Beautiful Queen who goes missing from the rest of the paintings.
In addition to the incorporeal visits of Row Finn, Kelsea has also been experiencing fugue states, where she drifts off from the Tear and visits pre-Crossing America.
And hoo boy – if y’all thought Gilead was bad … I mean, pre-Crossing America is still very very bad, but it’s not quite as bad as Gilead, but GODDAMMIT NEITHER OF THESE DYSTOPIAS SHOULD BE SEEN AS OPTIONS FOR SURVIVAL
(And no, I haven’t even dared to begin to watch The Handmaid’s Tale on Hulu. Just the thought of it sends me into anxiety. No thanks. Nolite te bastardes carborundorum. )
Oh, what’s Pre-Crossing America turned into?
Rich (deemed “private”) citizens are physically segregated from the public (read: “poor”) citizens. There are private roads, for the rich and powerful people, and there are public highways, for the poor and indigent. America has been ravaged, no thanks to their President Freeman (excellent anvil, there, Ms. Johansen): women don’t have to work, because their property belongs to their husbands. People have identity chips implanted into their shoulders, and an elaborate Security system is able to track everyone’s movements.
Also, not surprisingly, fertility and the ability to have children is prized. Fathers get promotions, so husbands need to have babies in order to hold onto their power.
Lily Herman is married to Greg, who works for the Department of Defense (or the new version of it, whatever). They live in a fabulous, private house in the suburbs of New York City, and every month, Lily is driven to her doctor for fertility treatments. Except Lily has actually been taking black market birth control for years, and is hoping that she can keep up the ruse. She tends to hide all day in the room tricked out as the nursery, because it’s the only room Greg won’t venture into. It’s also the room where she’s been able to loop the video surveillance so it looks like it’s empty.
That is very convenient when Dorian, a young woman from the “Blue Horizon” group, crashes over Lily’s backyard fence with a gunshot wound.
Lily knows she should report Dorian to the authorities, but she can’t bring herself to do it. She remembers her rebellious younger sister who was taken by Security and never seen again. Lily enlists the assistance of her personal bodyguard, Jonathan, and they help bring Dorian back to health.
Greg’s childlessness is affecting his work performance and his ability to gain a promotion, and of course he takes it out on Lily when he gets home. Greg is abusive up to and including rape. Spoiler alert!: he ends up dead. Hooray!
At a dinner party, Lily learns that the Blue Horizon group is going to be targeted and potentially eradicated by Security forces the next morning. She manages to kill Greg and steal the car to meet up with Blue Horizon in Boston, where she officially meets William Tear, and they venture to the New World, via the Crossing.
Kelsea sees that entire plotline through her multiple fugue states throughout the novel. It’s harrowing, but also feels kind of disjointed at times.
There’s also a subplot involving Father Tyler of the Arvath and the new Pope-dude (look, I can’t remember what the High Priest is called and I’m not looking it up; “Pope-dude” is good enough). The Pope-dude is terrible, and basically threatens to burn all of Father Tyler’s books if he doesn’t manage to poison Kelsea.
But Tyler is able to escape from the Arvath – and he’s able to steal the true crown of the Tear, but he isn’t able to send it to Kelsea.
There’s a lot going on in this book. Kelsea also sentences Arlen Thorne, the previous head of the Shipment to death, and executes him in a violent rage in the town square. The Mace has taken a shine to Andalie’s oldest daughter, Aisa, and teaches her how to defend herself. Aisa dreams about joining the Queen’s Guard, and she’s only like, twelve.
At the climax of the book, the Mort Queen herself has journeyed with her army to the outskirts of New London. Kelsea names the Mace Regent and ventures out on her own to negotiate with the Mort Queen. She even allows the Mort Queen to take her sapphires, but in exchange, the Mort Queen will leave the Tear and its people alone for three years. The Mort Queen agrees; but then when she takes the sapphires, they do nothing – even though the Mort Queen is that missing child from the Beautiful Queen’s portrait, Evelyn Raleigh, and she believes that she is the right true heir of the Tear.
Lily’s plot ends at The Crossing, with William Tear and Blue Horizon.
So … there’s a lot of plot to this book. A lot. And while I was intrigued by the plot of Pre-Crossing, and I felt it gave a good origin to the Tear and to show how far it has come since its inception, I felt that at times, it detracted from Kelsea’s own story. I know that she needs to see Lily’s story to influence her own, but still – it felt like two different books in one.
It also seems like Kelsea all-of-a-sudden learns she has super rage powers, as evidenced by her brutal execution of Arlen Thorne. I can’t remember if she experiences remorse for her actions – or at least, the level of brutality she evinced. I’m not sure how I feel about her at the end of the book. I admire her for putting herself at risk over her subjects, but her slip into the dark side may not have been so … slippery.
Anyway. I’ll probably read the last book of the trilogy. Not sure when that’ll be, but I’ve made such good progress on this series that I’d hate myself if I stopped now.
Grade for The Invasion of the Tearling: 3 stars